The actions that take place in in this series relate to specific moments of my past. They

recreate scenes from memory in the locations the events first took place. The resulting

photographs depict moments of disappointment, inadequacy and vulnerability - a catalogue

of evidence against me. Because the cut-out figures are relatively small scale, the

 locations in which they are set are unrecognisable to the viewer. Places of significance

have been reduced to generic brick wall, pavement and grass. The use of the ‘original’

locale is purely for my own purposes, pointing towards an obsessive need to make

accurate records.