The actions that take place in in this series relate to specific moments of my past. They recreate scenes from memory in the locations the events first took place. The resulting photographs depict moments of disappointment, inadequacy and vulnerability - a catalogue of evidence against me. Because the cut-out figures are relatively small scale, the locations in which they are set are unrecognisable to the viewer. Places of significance have been reduced to generic brick wall, pavement and grass. The use of the ‘original’ locale is purely for my own purposes, pointing towards an obsessive need to make accurate records.